Features Archives | Right Chord Music Blog https://www.rightchordmusic.co.uk/category/features/ A Music Blog For Incredible Independent Artists Fri, 23 May 2025 11:29:06 +0000 en-GB hourly 1 https://wordpress.org/?v=6.7.4 https://www.rightchordmusic.co.uk/wp-content/uploads/2025/10/cropped-favicon-16x16-1-32x32.png Features Archives | Right Chord Music Blog https://www.rightchordmusic.co.uk/category/features/ 32 32 My Favourite New Book: The Rock And Roll Almanac https://www.rightchordmusic.co.uk/the-rock-and-roll-almanac/ Fri, 23 May 2025 11:24:03 +0000 https://www.rightchordmusic.co.uk/?p=188127 Andrew Craneman knows how to get my attention. “Would you like a free copy of my new book?” he asked. For a music nerd like me, receiving The Rock And Roll Almanac is possibly the best gift ever. Andrew Craneman – The Rock And Roll Almanac Andrew Craneman is a musician and devoted student of […]

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Andrew Craneman knows how to get my attention. “Would you like a free copy of my new book?” he asked. For a music nerd like me, receiving The Rock And Roll Almanac is possibly the best gift ever.

Andrew Craneman – The Rock And Roll Almanac

Andrew Craneman is a musician and devoted student of rock and roll history, and you can see this passion poured into this wonderfully insightful book.

Fastidiously researched, The Rock And Roll Almanac is a comprehensive guide to musical history for the music completist in your life. It serves both as a reference and a joyous celebration of the musical moments and artists that have defined musical culture over the past 70 years.

“The ultimate coffee table book for people obsessed with music and the stories it creates.”

Each entry in the book provides a record of a significant moment that happened on that day in history, whether a groundbreaking album release, an iconic single or a pivotal moment in the career of an artist.

The best albums and singles released on each day are celebrated and profiled, providing a deliciously serendipitous way to discover new artists and become re-acquainted with those you may have forgotten.

On this day (23rd May) in rock history

  • In 1977, a new law in San Francisco banned amplified rock and roll in public places
  • In 1995, The Rembrandts released their now iconic single “I’ll Be There For You,” made famous by Friends.
  • It’s Philip Selway’s birthday (drummer from Radiohead)
  • In 2000, The Smashing Pumpkins announced their impending breakup with Billy Corgan declaring that they’re tired of “fighting the good fight against the Britneys of the world.”

Get your copy of The Rock And Roll Almanac by Andrew Craneman now on Amazon.

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The Geopolitical Impact of Western Music on Capitalism and Language in The Czech Republic https://www.rightchordmusic.co.uk/western-music-impact-czech-republic/ Thu, 25 Jul 2024 04:39:29 +0000 https://www.rightchordmusic.co.uk/?p=187207 In this special guest editorial, James Tanoos from Purdue University examines the geopolitical impact of Western music on capitalism and the adoption of the English language in the Czech Republic. The Long and Winding Road Rock and roll took a long, winding road to emerge and ultimately thrive in the Czech Republic.  The first hints […]

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In this special guest editorial, James Tanoos from Purdue University examines the geopolitical impact of Western music on capitalism and the adoption of the English language in the Czech Republic.

The Long and Winding Road

Rock and roll took a long, winding road to emerge and ultimately thrive in the Czech Republic.  The first hints of Western music, defined as what someone in the Czech Republic would consider popular, rock and roll-spirited US/UK songs with “beat” rhythms and English vocals, were first transmitted into Bohemia on July 4, 1943, via a faint, barely audible signal from Armed Forces Radio, an American station broadcasting from London to the Allied forces during World War II.

Later, Radio Luxembourg, transmitting for American GI’s serving in Germany, was an illicit but alluring signal for those living in Western Bohemia who sought out non-propaganda music and news.  These broadcasts were often the first exposure to not only Western music but also the English language for many Czechs.  Thereafter, Radio Free Europe, an American-funded, Munich-based signal that was intended to send information banned by communist governments, was more easily accessed in Bohemia (Radio Free Europe has been headquartered in Prague since 1995).

The Geopolitical Impact of Western Music on Capitalism and the Adoption of the English Language in the Czech Republic

The Battle for Czech Radio

The infamous Battle for Czech Radio occurred during German wartime occupation when Czech resistance forces took over the airwaves and encouraged citizens to take action during the Prague Uprising at the end of World War II.  Czech Radio was nationalized in 1948 on behalf of the state’s communist party, and executives actively engaged in jamming Radio Free Europe to prevent non-propaganda information from coming into Bohemia in the 1950s.  In the 1960s, in characteristically technologically-innovative Czech fashion, Czech Radio began broadcasting an early FM-dial signal via the 60-MHz bandwidth.  Its organizational model of commissioning permanent foreign correspondents was groundbreaking.

No Western music existed on the airwaves in Bohemia during its origination and rise in the mid-to-late 1950s, but by 1960, radio stations across Germany, the Netherlands, and Belgium were playing American rock and roll.  At the same time, the BBC rose to prominence as a leading Western political voice that was some of the only non-propaganda information available to those in East Germany and behind the iron curtain.  However, the BBC was usually too distant for Czechs to hear clearly.  Common Western music acts during that era included Little Richard, Elvis Presley, Chuck Berry, and Buddy Holly, as well as the Saturday Skiffle Club starting in ‘57.

Pete Seeger and the Birth of Bluegrass

The allure of forbidden Western music in Bohemia began to grow, and the pent-up curiosity translated to real consumer demand for American acts.  In 1964, American folk singer Pete Seeger played shows across the country but was only allowed to tour because a Czech friend he met in the US was able to convince the authorities that his populism-centred lyrics and everyman vibe was a protest against the American system of government and thus was not ideologically subversive.  His 5-stringed banjo was unfamiliar to Czechs, and he recorded a live double album of folksy bluegrass in Prague, inspiring generations of Czech musicians.  His tour was so successful and impactful that it is often credited with single-handedly launching a bluegrass craze that still exists today.

The success of Seeger’s tour prompted more thereafter.  American jazz legend Louis Armstrong successfully toured the region, and later the Beach Boys did as well.  As these Western acts found success, the English language and all its allure became sought after by young Czechs, who wanted to know the meaning of the lyrics; of course, the print on the bootleg albums was also in English.  As such, consumer demand for Western acts aligned with the Czechs’ willingness to learn English.  During this era, Czech-language lyrics would often be added to the instrumentation on the catchy tunes, and eventually Czech artists just performed covers of the real versions, with audiences quickly understanding the English lyrics performed by the Czech bands.

The Prague Spring

During the Prague Spring of 1968, amidst citizen protests for political liberalization, underground Beatles and other Western music gained a foothold into the Czech Republic’s music scene, ultimately spawning consumer demand for records that were illegally smuggled in.  The USSR responded by further suppressing media during the uprising via the Warsaw Pact invasion, when they more fully took over Czech radio and other smaller stations in attempts to exert tighter control over government and everyday life.  Although the USSR crushed the Prague Spring, Czech youth witnessed an inspired movement to loosen the strict state-run control of freedom with the goal of opening up media including the ability to buy Western music through underground means during the ‘70s, prompting a roadmap of rebellion that would eventually manifest itself.

Black Market Music and Lennonova Zed

The desire to access Western music has always been buoyed by Czech youth, who galvanized efforts to form black markets as a means of obtaining it.  The Forest of Krč, a park near Prague’s city centre, was a meeting spot for bazaars, where vendors illicitly sold Western music records.  In addition, St. Wenceslas Square was a common area where records were sold after being imported to the Port of Hamburg in Western Germany and smuggled into the country by road.

There is no more appropriate structure in all of central and eastern Europe to symbolize the impact of Western music than “Lennonova Zed”, the John Lennon Wall, only a few hundred meters away from the 14th-century Charles Bridge.  After he died in 1980, local youths began painting the wall with Lennon-inspired artistry and Beatles lyrics.  It soon became a major irritant to the communist regime, particularly due to the spirit of revolution Lennon espoused during his life.

The Czechs who were honouring Lennon (and not Russia’s “Lenin”, to the annoyance of the regime) soon became a symbol of freedom and advocated for revolution, free speech and expression, and self-rule while at the same time seeking interpretation and knowledge through the same English language as Lennon’s.  Unclassified KGB documents indicate that the vigils for Lennon and the reverence shown towards him were interpreted as underground protests against the ruling establishment of Eastern Europe.  During this time, the Russian language was compulsory as a second language and any use of English was still seen as suspect to the regime and often repressed.  As such, the obligatory study of Russian naturally made the English language that much more appealing to those who were attracted to the revolutionary spirit of Western music.

The Sinatra of The East

In lieu of full access to Western music, many popular Czech musicians were permitted by the state to ply their trade in the ‘60s through the ‘80s, including Karel Gott, labelled “The Sinatra of the East”, one of the most popular Czech musicians, as well as pop artist Helena Vondráčková.  These artists were considered “safe” and not subversive.  As the ‘80s progressed, the inability to legally buy Western music continued to frustrate young Czechs during a time in which technological advances such as the transition from records to cassette tapes were facilitated by Western record labels, which the Czechs youths would have loved considering their techy nature.  Popular literature has pointed to consumer demand for cassette tapes of Western music as facilitating the fall of the Iron Curtain, as cassettes were much easier and cheaper to smuggle than the larger, more fragile vinyl records.

It’s Groovy!

However, while much literature has pointed to Western music’s role and influence in subverting the political order and advancing the collapse of the USSR, the English language did not become a preferred second language in Russia and many of the USSR’s former satellite countries.  Nevertheless, common English phrases and slang like “groovy” that were affiliated with the same Western music sought in the Czech Republic did permeate society as young Czechs associated Western music and English vernacular with being cool.  It is nearly impossible to quantify the direct correlation of cassette tapes of Western music and more specifically Beatles lyrics to the usage of the English language in the Czech Republic, but they are intrinsically intertwined in history.

The Velvet Revolution

Upon the fall of the Iron Curtain and the coinciding Velvet Revolution in 1989, some Czech singers who were prohibited by the state for being agents of Western propaganda or were deemed to be subversive for varied reasons were exonerated and allowed to tour.  For example, Marta Kubišová’s “subversive” music made her a symbol of national resistance after her 1968 song, “Prayer for Martha” was deemed to represent political resistance during the Prague Spring, and her records were subsequently banned.

The government even went so far as to create propaganda against her to rationalize prohibiting her from performing from 1970-1989.  The Plastic People of the Universe was a Czech band considered to be at the forefront of the underground movement.  They formed about a month after the Prague Spring and were inspired by the Velvet Underground, a subversive, counter-culture American act of the late ‘60s.  They endured state harassment and arrests, but during the Velvet Revolution and the transition of power, the floodgates finally opened for the legal buying and selling of recordings by these artists as well as Western acts.

The first Czech Republic president under capitalism and democracy, Václav Havel, was a big fan of the Plastic People of the Universe as well as the Velvet Underground.  His favourite band was the Rolling Stones, and he even asked American artist Frank Zappa to be the first Czech Minister of Culture.

The Pandemic and The Arts

The pandemic was a strong reminder of how a global phenomenon from outside of the Czech Republic’s borders can negatively affect the free flow of the Czech economy.  While the pandemic hurt the creative arts communities globally, it especially hurt the Czech Republic’s economic sectors associated with performing arts.  One study conducted immediately after the pandemic began noted that the cultural sector and more specifically local musicians were the most negatively impacted by the lockdowns (Brno News, 2020).  Another confirmed that performing artists in the Czech Republic were strongly negatively impacted (Grosman et al., 2022) with another key study noting that the “most sector impacted is music, with 46% loss of regular income in the first two months of the pandemic” (Salvador et al., 2021, p. 8).  The disruptions in Czech supply chains brought on by the pandemic prompted many bottlenecks, but COVID’s effect was peanuts compared to Cold War-era political restrictions, when border crossings including rail were strictly controlled.  A typical modern student perceives massive global trade barriers as something from a surreal dystopia, which is why curriculum based on free trade is paramount.

Live Music

Live music in Prague is easily accessible because of the city’s public transportation system, and musicians are likely to add Prague to their world tours due to the ease of travel from neighbouring cities and regions with high populations.  Larger venues in Prague include the Dvořák Concert Hall, Forum Karlin, and the O2 Arena.  The O2 Arena in particular hosts a range of major Western music acts in 2024 including Rod Stewart, Travis Scott, the Smashing Pumpkins, and John Mayer and even hosted Black Sabbath’s last performance in the Czech Republic in 2016.  Although the music and clothing are indistinguishable from those at American concerts, the food available at these venues tends to be very Czech.  For example, klobása is a type of grilled sausage served with mustard and bread.

Rebellious genres of Western music such as heavy metal, punk rock, hip-hop, etc. continue to be popular.  Smaller venues often have no problem selling out for shows.  One such location, The Vagon, which commonly hosts Western music acts, is just a few minutes from St. Wenceslas Square (Václavské náměstí) in the city centre via the 3, 9, or 32 trams to the Národní třída stop.  Across the street are other small, thriving live music venues including the jazz club Reduta and Rock Café.  The schedule of upcoming live acts is called the calendar in the US, but it is called the “program” in central Europe.

The Vagon hosts bands and artists who play Western music styles such as Czech punk band Znouzectnost, who emerged in the underground during the ‘80s.  Their sound is reminiscent of similar 3-piece Western music standard bearers such as Cream and the Police, and they seem to be heavily influenced by The Clash.

The Decline of The Russian Language

After the fall of the Iron Curtain, there was an expected backlash towards the Russian language, and it is not generally in use in academics or public discourse today.  Only 12% of 35-49-year-old Czechs can speak Russian at a basic level, down from 31% just six years ago, while 37% of 50-59 year-old Czechs and 39% of 60-69 year-old Czechs are able to speak Russian.  By contrast, 45% Czechs speak some English and that increases for those living in Prague.  Among 18-24 year-old Czechs, 89% speak English, while only about a third of 50-59-year-olds and 19% of 60-69-year-olds speak English (however, that is up from 14% within the 60-69 age category from eight years prior).  As these trends show, the Russian language is disappearing and the English language is becoming more and more common.

Modern Music Genres

Modern musical genres such as electronic music flourish in the Czech Republic, as well as more traditional styles such as jazz, classical, and the Czech version of folk, inspired by Pete Seeger, which commonly includes Bohemian bagpipes, violin/fiddle, and accordion.  Music festivals such as the Masters of Rock thrive, and Radio City 93.7 is a popular online radio station.  Czech Radio became an independently-run station in 1991, and it now runs numerous regional stations and digital streaming channels serving different musical genres.

Cultural and Creative Champions

Today, the Czech economy continues to be stronger than most on the continent.  Consumer freedoms have long been a barometer of the health of the region, and today, a larger share of the economy is driven by creative industries and makes more from the arts than in neighbouring countries.  With the Czech Music Community and the Ministry of Culture as institutional advocates, total public cultural expenditure per sector in music nearly doubled between 2015 and 2020.

The Czech Republic continues to be in the top third of European countries in “Cultural and Creative Sectors” value-added by country, one of the top four countries in Europe for self-employed cultural/creative employment, and the third-highest ranked on the continent for performing arts share as a percentage of the economy.  Certainly, the ability to buy and sell as well as perform in English is critical to the Czech Republic’s regional and international economic success.  Western music continues to be an integral engine of the region, where its seamless access today facilitates both economic development and intercultural interactions in a booming, English-centric economy.  What would have happened to the English language in the Czech Republic and throughout Bohemia if Western music never existed?

About author James Tanoos

James Tanoos, Ph.D., is a Clinical Associate Professor at Purdue University.  He has worked in various roles in higher education for more than 20 years, earning his Bachelor’s degree from Purdue University, his Master’s degree from Indiana University, and his Doctorate from Purdue University.

He has published articles in more than forty-two international journals and has presented academic work at more than twenty-seven international academic conferences on a range of disciplines including international economics, supply chain management, educational pedagogy, operations management, and industrial technology, including the invited keynote presentation at five international conferences.

Lead Photo Credit. James Tanoos. Students from Purdue University visit The Lennon Wall.

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Win With The Casio Sessions & Breed Music https://www.rightchordmusic.co.uk/casio-sessions-2024/ Mon, 20 May 2024 13:16:52 +0000 https://www.rightchordmusic.co.uk/?p=186932 Casio Music UK is thrilled to announce the return of Casio Sessions, its popular singer-songwriter competition for aspiring piano-playing musicians. Applications are open now. Casio Sessions 2024 Building on the success of last year, Casio is excited to raise the bar even higher, giving a new group of talented individuals the chance to showcase their […]

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Casio Music UK is thrilled to announce the return of Casio Sessions, its popular singer-songwriter competition for aspiring piano-playing musicians. Applications are open now.

Casio Sessions 2024

Building on the success of last year, Casio is excited to raise the bar even higher, giving a new group of talented individuals the chance to showcase their musical abilities for the chance to win an incredible prize; a Casio PX-S7000 piano, worth £2,249 plus an exclusive mastering studio session for their winning song, with the song then pressed to a limited run of vinyl records – courtesy of competition partner and physical music manufacturer Breed Media.

Casio is inviting piano-playing, singer-songwriters from around the UK to enter online by submitting a video of themselves playing an original composition – covers will not be considered. Twelve entrants will then be handpicked to compete in a live final at the stylish Ninety One Living Room jazz bar in Brick Lane, London, on Wednesday 4th September 2024. 

Finalists will perform in front of a live audience and panel of judges on Casio’s award-winning PX-S7000 in the stunning Harmonious Mustard finish, the same type of piano the winner will take home. Performances will be judged on various criteria including stage presence and writing, singing and playing ability.

Last year judges were so blown away by the calibre of original performances that they decided to award the top prize to two finalists – with the multi-talented May Payne and Stefan Mahendra both taking home a PX-S7000 piano.

Performing to a packed-out Ninety One, May captivated the audience with her beautifully raw and deeply personal original piece, I Hate It When You Touch Me while Stefan’s soulful performance of his song Orbit showcased his technical ability with his deep and warm voice. Since winning the competition last year, both May and Stefan have gone on to release EPs and played shows around the UK. 

Casio PX-S7000

The winner will also take home one of Casio’s multiple award-winning PX-S7000, the flagship model from Casio’s premium Privia series. With a high specification, including a newly developed hybrid wooden hammer keyboard and a beautiful contemporary look, it’s a popular choice among pianists and jazz musicians alike. The ability to directly plug in a microphone and use the on-board vocal effects makes this the ideal performance instrument. This stylish instrument has graced the stage at Ninety-One Living Room as the house piano for the past year, enchanting the audience through performances by esteemed artists like David Mrakpor.

Casio PX-S7000HM2 win with the Casio Sessions

Enter the Casio Sessions now

Visit the Casio website and apply here

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Words Mark Knight

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BBC Radio’s Honor Morrison Joins Right Chord Music https://www.rightchordmusic.co.uk/new-music-champion-honor-morrison-joins-rcm/ Tue, 12 Mar 2024 05:38:20 +0000 https://www.rightchordmusic.co.uk/?p=186562 We are delighted to announce BBC Radio’s Honor Morrison has joined the Right Chord Music team to help discover more incredible new music. Introducing Honor Morrison Honor Morrison is a new music presenter for BBC Introducing and 6 Music. Starting in the pandemic with her own new music podcast, she has gone on to give […]

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We are delighted to announce BBC Radio’s Honor Morrison has joined the Right Chord Music team to help discover more incredible new music.

Introducing Honor Morrison

Honor Morrison is a new music presenter for BBC Introducing and 6 Music. Starting in the pandemic with her own new music podcast, she has gone on to give first radio plays to the likes of Connie Constance, The Japanese House and Wunderhorse, to name a few.

Honor Morrison – Good Vibes Only

Honor also runs her own music nights in Soho, London, called ‘Good Vibes Only‘; designed to showcase new artists, bands, producers and DJs, as they go from a gig night to club night. ‘Good Vibes Only’ is fast becoming the place to be, with every night selling out in its short 6-month lifetime. Much like her gig nights, Honor epitomises good vibes only, as she strives to make the music industry a far more accessible and friendly place.

Glastonbury and Reading Festival

Not only has Honor supported the music scene on air and in London, but she has also introduced audiences to artists such as Caity Baser, Antony Szmierek and Pixey on festival stages at Glastonbury and Reading, as well as working with more established names such as Tom Grennan, Loyle Carner, Griff and Don Brocco.

BBC Radio

When Honor is not behind the mic or on stage, Honor can be found freelancing across Radio 1, 1Xtra and BBC Sounds. She works predominately across Radio 1 daytime from Breakfast with Greg James to Future Sounds with Clara Amfo, she also helped launch BBC Introducing with Jess Iszatt behind the scenes on Radio 1.

Honor Morrison Joins Right Chord Music

Honor will be scouring the Right Chord Music submissions database and producing video reviews of her favourite artists. Who knows you could become the next new artist to feature on one of her radio shows, or play at her live night.

Submit your music to Right Chord Music for FREE here. You can also read case studies and success stories here. If you are a music blogger, playlister, podcaster, DJ or live promoter interested in joining our team, please get in touch here.

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Words Mark Knight

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Learn How To Start Playing Drums With An Electronic Drum Kit https://www.rightchordmusic.co.uk/learn-how-to-start-playing-drums-with-an-electronic-drum-kit/ Fri, 26 Jan 2024 08:01:39 +0000 https://www.rightchordmusic.co.uk/?p=186270 Are you thinking of learning to play the drums? In this article, we’re collaborating with Diego Cardini from The Drum Ninja to give you the low down on electric drum kits. Electronic drum kits are a game-changer, especially if you’re just starting out. Forget about needing a huge space or making too much noise. These kits are […]

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Are you thinking of learning to play the drums? In this article, we’re collaborating with Diego Cardini from The Drum Ninja to give you the low down on electric drum kits.

Electronic drum kits are a game-changer, especially if you’re just starting out. Forget about needing a huge space or making too much noise. These kits are compact, quiet (when you need them to be), and super versatile. It’s like having a whole drum set in your living room, without the hassle. 

In this article, I’ll guide you through everything you need to know to get started. So, if you’ve got a passion for grooves and a bit of curiosity, you’re all set. Lets make some noise, the neighbour-friendly kind, of course!

How to start playing drums with an electronic drum kit

1. Choosing Your Electronic Drum Kit

Choosing the right electronic drum kit is a crucial first step. It’s essential to think about your specific needs. Are you looking for something that fits in a tight space, or do you have room for something larger? 

The variety of sounds and features available can be overwhelming, so it’s important to prioritize what’s most important for you. Then, dive into some research. Look at different brands and models, but keep your budget in mind. Remember, though, that investing a bit more can often get you a kit that lasts longer and sounds better. If you can, try out different kits. 

Feeling the response of the pads and pedals and finding what’s comfortable for you is key to your enjoyment and progress.

 2. Setting Up Your Kit

Once you’ve got your kit, finding the right place in your home to set it up is your next task. You need enough room to sit comfortably and move around a bit. 

When assembling the kit, follow the instructions carefully and take the time to adjust the height and angles of the pads and cymbals. This customization will make playing more comfortable and enjoyable, fitting the kit to your personal style and physique.

3. Getting Started with Basic Beats

Getting to know your drum kit intimately is where the fun begins. Spend some time understanding what each part of your kit does. Start your drumming journey with simple rhythms. Focus on keeping a steady beat and tempo. 

There are plenty of online tutorials and drumming apps available that can guide you through these initial steps. This foundational practice is vital for developing your skills.

4. Practice Techniques

Consistent practice is the key to improvement. Aim for at least 15-20 minutes a day to start. One critical aspect to focus on is your timing. 

Playing along with a metronome or backing tracks can help develop a strong sense of rhythm and timing. This discipline will pay off as you advance in your drumming.

5. Amplifying Your Sound

When it comes to practising quietly, headphones are your best friend. They allow you to hear the full range and nuance of your electronic drum kit without disturbing others. 

But when you’re ready to share your music, connecting your kit to speakers is the way to go. Make sure the speakers are compatible with your drum kit for the best sound quality. This setup is perfect for performances or just jamming with friends.

6. Exploring and Experimenting

One of the great things about electronic drum kits is the variety of sounds you can explore. Don’t be afraid to experiment with different drum types and effects. 

Many kits also allow you to record your playing. Listening back to your sessions is incredibly valuable for identifying areas for improvement and tracking your progress.

Frequently Asked Questions

Q: Can you learn to play drums on an electronic drum kit?

A: Absolutely! Electronic drum kits are an excellent tool for learning to play the drums. They offer a realistic experience that closely mimics playing an acoustic drum set. 

The major advantage is the ability to practice at lower volumes, thanks to headphone compatibility, making them ideal for home use. They also often come with built-in learning tools and metronomes, which can be incredibly helpful for beginners.

Q: Are electronic drum kits good for beginners?

A: Yes, electronic drum kits are particularly well-suited for beginners. They’re less intimidating than acoustic sets and offer a range of features that aid learning. 

The volume control, for example, is a big plus, allowing practice at any time without disturbing others. Additionally, the variety of sounds and settings available can make practising more engaging and fun for a beginner, keeping the learning process interesting and varied.

Q: Can you use regular drumsticks on electronic drums?

A: Definitely. You can use regular drumsticks on electronic drums without any issues. In fact, it’s recommended to use the same sticks that you would use on an acoustic drum set to maintain a consistent feel. 

However, some drummers opt for sticks with nylon tips for a slightly different response and to potentially reduce wear on the drum pads. But overall, your regular wooden drumsticks will work just fine.

Conclusion 

Embarking on the journey of learning to play the drums can be an exhilarating experience, and choosing an electronic drum kit as your starting point is a wise and practical decision. These kits offer a blend of versatility, convenience, and technological innovation, making them a fantastic choice for beginners.

As you start practising, remember that consistency and patience are your best allies. Even a few minutes a day can lead to noticeable improvements.

Electronic drum kits are not just beginner-friendly; they are instruments that can grow with you as you advance in your skills. Their ability to accommodate silent practice, coupled with the fun of experimenting with different sounds and settings, makes them a continuously rewarding musical investment.

So, whether you’re practising late into the night with headphones on or rocking out with speakers, the world of electronic drumming is full of possibilities.

About the author Diego Cardini

Crazy about drums, the founder of thedrumninja.com has carried a passion for drumming since the age of 12. Having played in numerous bands, He navigated through various musical styles including Rock, Progressive, Pop, and Jazz-Rock. Diego started the platform to share his knowledge and create a comprehensive resource for drummers of all levels.

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Right Chord Music Privacy Policy https://www.rightchordmusic.co.uk/privacy-policy/ Sat, 16 Dec 2023 06:57:33 +0000 https://www.rightchordmusic.co.uk/?p=186160 PRIVACY NOTICE Last updated December, 2023 This privacy notice for Right Chord Music (‘Company‘, ‘we‘, ‘us‘, or ‘our‘,), describes how and why we might collect, store, use, and/or share (‘process‘) your information when you use our services (‘Services‘), such as when you: Visit our website at http://www.rightchordmusic.co.uk, or any website of ours that links to […]

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PRIVACY NOTICE
Last updated December, 2023
This privacy notice for Right Chord Music (‘Company‘, ‘we‘, ‘us‘, or ‘our‘,), describes how and why we might collect, store, use, and/or share (‘process‘) your information when you use our services (‘Services‘), such as when you:
  • Engage with us in other related ways, including any sales, marketing, or events
Questions or concerns? Reading this privacy notice will help you understand your privacy rights and choices. If you do not agree with our policies and practices, please do not use our Services. If you still have any questions or concerns, please contact us at mark@rightchordmusic.co.uk
SUMMARY OF KEY POINTS
This summary provides key points from our privacy notice, but you can find out more details about any of these topics by clicking the link following each key point or by using our table of contents below to find the section you are looking for. You can also click here to go directly to our table of contents.
What personal information do we process? When you visit, use, or navigate our Services, we may process personal information depending on how you interact with Major Labl Ltd and the Services, the choices you make, and the products and features you use. Click here to learn more.
Do we process any sensitive personal information? We do not process sensitive personal information.
Do we receive any information from third parties? We do not receive any information from third parties.
How do we process your information? We process your information to provide, improve, and administer our Services, communicate with you, for security and fraud prevention, and to comply with law. We may also process your information for other purposes with your consent. We process your information only when we have a valid legal reason to do so. Click here to learn more.
In what situations and with which parties do we share personal information? We may share information in specific situations and with specific third parties. Click here to learn more.
How do we keep your information safe? We have organisational and technical processes and procedures in place to protect your personal information. However, no electronic transmission over the internet or information storage technology can be guaranteed to be 100% secure, so we cannot promise or guarantee that hackers, cybercriminals, or other unauthorised third parties will not be able to defeat our security and improperly collect, access, steal, or modify your information. Click here to learn more.
What are your rights? Depending on where you are located geographically, the applicable privacy law may mean you have certain rights regarding your personal information. Click here to learn more.
How do you exercise your rights? The easiest way to exercise your rights is by filling out our data subject request form available here, or by contacting us. We will consider and act upon any request in accordance with applicable data protection laws.
Want to learn more about what Major Labl Ltd does with any information we collect? Click here to review the notice in full.
TABLE OF CONTENTS
1. WHAT INFORMATION DO WE COLLECT?
Personal information you disclose to us
In Short: We collect personal information that you provide to us.
We collect personal information that you voluntarily provide to us when you register on the Services, express an interest in obtaining information about us or our products and Services, when you participate in activities on the Services, or otherwise when you contact us.
Personal Information Provided by You. The personal information that we collect depends on the context of your interactions with us and the Services, the choices you make, and the products and features you use. The personal information we collect may include the following:
  • names
  • email addresses
Sensitive Information. We do not process sensitive information.
All personal information that you provide to us must be true, complete, and accurate, and you must notify us of any changes to such personal information.
2. HOW DO WE PROCESS YOUR INFORMATION?
In Short: We process your information to provide, improve, and administer our Services, communicate with you, for security and fraud prevention, and to comply with law. We may also process your information for other purposes with your consent.
We process your personal information for a variety of reasons, depending on how you interact with our Services, including:
  • To facilitate account creation and authentication and otherwise manage user accounts. We may process your information so you can create and log in to your account, as well as keep your account in working order.
  • To deliver and facilitate delivery of services to the user. We may process your information to provide you with the requested service.
  • To save or protect an individual’s vital interest. We may process your information when necessary to save or protect an individual’s vital interest, such as to prevent harm.
3. WHAT LEGAL BASES DO WE RELY ON TO PROCESS YOUR INFORMATION?
In Short: We only process your personal information when we believe it is necessary and we have a valid legal reason (i.e. legal basis) to do so under applicable law, like with your consent, to comply with laws, to provide you with services to enter into or fulfil our contractual obligations, to protect your rights, or to fulfil our legitimate business interests.
If you are located in the EU or UK, this section applies to you.
The General Data Protection Regulation (GDPR) and UK GDPR require us to explain the valid legal bases we rely on in order to process your personal information. As such, we may rely on the following legal bases to process your personal information:
  • Consent. We may process your information if you have given us permission (i.e. consent) to use your personal information for a specific purpose. You can withdraw your consent at any time. Click here to learn more.

 

  • Performance of a Contract. We may process your personal information when we believe it is necessary to fulfil our contractual obligations to you, including providing our Services or at your request prior to entering into a contract with you.
  • Legal Obligations. We may process your information where we believe it is necessary for compliance with our legal obligations, such as to cooperate with a law enforcement body or regulatory agency, exercise or defend our legal rights, or disclose your information as evidence in litigation in which we are involved.
  • Vital Interests. We may process your information where we believe it is necessary to protect your vital interests or the vital interests of a third party, such as situations involving potential threats to the safety of any person.
In legal terms, we are generally the ‘data controller’ under European data protection laws of the personal information described in this privacy notice, since we determine the means and/or purposes of the data processing we perform. This privacy notice does not apply to the personal information we process as a ‘data processor’ on behalf of our customers. In those situations, the customer that we provide services to and with whom we have entered into a data processing agreement is the ‘data controller’ responsible for your personal information, and we merely process your information on their behalf in accordance with your instructions. If you want to know more about our customers’ privacy practices, you should read their privacy policies and direct any questions you have to them.
If you are located in Canada, this section applies to you.
We may process your information if you have given us specific permission (i.e. express consent) to use your personal information for a specific purpose, or in situations where your permission can be inferred (i.e. implied consent). You can withdraw your consent at any time. Click here to learn more.
In some exceptional cases, we may be legally permitted under applicable law to process your information without your consent, including, for example:
  • If collection is clearly in the interests of an individual and consent cannot be obtained in a timely way
  • For investigations and fraud detection and prevention
  • For business transactions provided certain conditions are met
  • If it is contained in a witness statement and the collection is necessary to assess, process, or settle an insurance claim
  • For identifying injured, ill, or deceased persons and communicating with next of kin
  • If we have reasonable grounds to believe an individual has been, is, or may be victim of financial abuse
  • If it is reasonable to expect collection and use with consent would compromise the availability or the accuracy of the information and the collection is reasonable for purposes related to investigating a breach of an agreement or a contravention of the laws of Canada or a province
  • If disclosure is required to comply with a subpoena, warrant, court order, or rules of the court relating to the production of records
  • If it was produced by an individual in the course of their employment, business, or profession and the collection is consistent with the purposes for which the information was produced
  • If the collection is solely for journalistic, artistic, or literary purposes
  • If the information is publicly available and is specified by the regulations
4. WHEN AND WITH WHOM DO WE SHARE YOUR PERSONAL INFORMATION?
In Short: We may share information in specific situations described in this section and/or with the following third parties.
We may need to share your personal information in the following situations:
  • Business Transfers. We may share or transfer your information in connection with, or during negotiations of, any merger, sale of company assets, financing, or acquisition of all or a portion of our business to another company.
5. HOW LONG DO WE KEEP YOUR INFORMATION?
In Short: We keep your information for as long as necessary to fulfil the purposes outlined in this privacy notice unless otherwise required by law.
We will only keep your personal information for as long as it is necessary for the purposes set out in this privacy notice, unless a longer retention period is required or permitted by law (such as tax, accounting, or other legal requirements). No purpose in this notice will require us keeping your personal information for longer than the period of time in which users have an account with us.
When we have no ongoing legitimate business need to process your personal information, we will either delete or anonymise such information, or, if this is not possible (for example, because your personal information has been stored in backup archives), then we will securely store your personal information and isolate it from any further processing until deletion is possible.
6. HOW DO WE KEEP YOUR INFORMATION SAFE?
In Short: We aim to protect your personal information through a system of organisational and technical security measures.
We have implemented appropriate and reasonable technical and organisational security measures designed to protect the security of any personal information we process. However, despite our safeguards and efforts to secure your information, no electronic transmission over the Internet or information storage technology can be guaranteed to be 100% secure, so we cannot promise or guarantee that hackers, cybercriminals, or other unauthorised third parties will not be able to defeat our security and improperly collect, access, steal, or modify your information. Although we will do our best to protect your personal information, transmission of personal information to and from our Services is at your own risk. You should only access the Services within a secure environment.
7. DO WE COLLECT INFORMATION FROM MINORS?
In Short: We do not knowingly collect data from or market to children under 18 years of age.
We do not knowingly solicit data from or market to children under 18 years of age. By using the Services, you represent that you are at least 18 or that you are the parent or guardian of such a minor and consent to such minor dependent’s use of the Services. If we learn that personal information from users less than 18 years of age has been collected, we will deactivate the account and take reasonable measures to promptly delete such data from our records. If you become aware of any data we may have collected from children under age 18, please contact us at hello@majorlabl.com.
8. WHAT ARE YOUR PRIVACY RIGHTS?
In Short: In some regions, such as the European Economic Area (EEA), United Kingdom (UK), and Canada, you have rights that allow you greater access to and control over your personal information. You may review, change, or terminate your account at any time.
In some regions (like the EEA, UK, and Canada), you have certain rights under applicable data protection laws. These may include the right (i) to request access and obtain a copy of your personal information, (ii) to request rectification or erasure; (iii) to restrict the processing of your personal information; and (iv) if applicable, to data portability. In certain circumstances, you may also have the right to object to the processing of your personal information. You can make such a request by contacting us by using the contact details provided in the section ‘HOW CAN YOU CONTACT US ABOUT THIS NOTICE?‘ below.
We will consider and act upon any request in accordance with applicable data protection laws.
 
If you are located in the EEA or UK and you believe we are unlawfully processing your personal information, you also have the right to complain to your local data protection supervisory authority. You can find their contact details here: https://ec.europa.eu/justice/data-protection/bodies/authorities/index_en.htm.
If you are located in Switzerland, the contact details for the data protection authorities are available here: https://www.edoeb.admin.ch/edoeb/en/home.html.
Withdrawing your consent: If we are relying on your consent to process your personal information, which may be express and/or implied consent depending on the applicable law, you have the right to withdraw your consent at any time. You can withdraw your consent at any time by contacting us by using the contact details provided in the section ‘HOW CAN YOU CONTACT US ABOUT THIS NOTICE?‘ below or updating your preferences.
However, please note that this will not affect the lawfulness of the processing before its withdrawal nor, when applicable law allows, will it affect the processing of your personal information conducted in reliance on lawful processing grounds other than consent.
Opting out of marketing and promotional communications: You can unsubscribe from our marketing and promotional communications at any time by clicking on the unsubscribe link in the emails that we send, or by contacting us using the details provided in the section ‘HOW CAN YOU CONTACT US ABOUT THIS NOTICE?‘ below. You will then be removed from the marketing lists. However, we may still communicate with you — for example, to send you service-related messages that are necessary for the administration and use of your account, to respond to service requests, or for other non-marketing purposes.
Account Information
If you would at any time like to review or change the information in your account or terminate your account, you can:
  • Contact us using the contact information provided.
Upon your request to terminate your account, we will deactivate or delete your account and information from our active databases. However, we may retain some information in our files to prevent fraud, troubleshoot problems, assist with any investigations, enforce our legal terms and/or comply with applicable legal requirements.
If you have questions or comments about your privacy rights, you may email us at hello@majorlabl.com.
9. CONTROLS FOR DO-NOT-TRACK FEATURES
Most web browsers and some mobile operating systems and mobile applications include a Do-Not-Track (‘DNT’) feature or setting you can activate to signal your privacy preference not to have data about your online browsing activities monitored and collected. At this stage no uniform technology standard for recognising and implementing DNT signals has been finalised. As such, we do not currently respond to DNT browser signals or any other mechanism that automatically communicates your choice not to be tracked online. If a standard for online tracking is adopted that we must follow in the future, we will inform you about that practice in a revised version of this privacy notice.
10. DO CALIFORNIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?
In Short: Yes, if you are a resident of California, you are granted specific rights regarding access to your personal information.
California Civil Code Section 1798.83, also known as the ‘Shine The Light’ law, permits our users who are California residents to request and obtain from us, once a year and free of charge, information about categories of personal information (if any) we disclosed to third parties for direct marketing purposes and the names and addresses of all third parties with which we shared personal information in the immediately preceding calendar year. If you are a California resident and would like to make such a request, please submit your request in writing to us using the contact information provided below.
If you are under 18 years of age, reside in California, and have a registered account with Services, you have the right to request removal of unwanted data that you publicly post on the Services. To request removal of such data, please contact us using the contact information provided below and include the email address associated with your account and a statement that you reside in California. We will make sure the data is not publicly displayed on the Services, but please be aware that the data may not be completely or comprehensively removed from all our systems (e.g. backups, etc.).
CCPA Privacy Notice
The California Code of Regulations defines a ‘resident’ as:
(1) every individual who is in the State of California for other than a temporary or transitory purpose and
(2) every individual who is domiciled in the State of California who is outside the State of California for a temporary or transitory purpose
All other individuals are defined as ‘non-residents’.
If this definition of ‘resident’ applies to you, we must adhere to certain rights and obligations regarding your personal information.
What categories of personal information do we collect?
We have collected the following categories of personal information in the past twelve (12) months:
Category Examples Collected
A. Identifiers
Contact details, such as real name, alias, postal address, telephone or mobile contact number, unique personal identifier, online identifier, Internet Protocol address, email address, and account name
YES
B. Personal information categories listed in the California Customer Records statute
Name, contact information, education, employment, employment history, and financial information
YES
C. Protected classification characteristics under California or federal law
Gender and date of birth
NO
D. Commercial information
Transaction information, purchase history, financial details, and payment information
NO
E. Biometric information
Fingerprints and voiceprints
NO
F. Internet or other similar network activity
Browsing history, search history, online behaviour, interest data, and interactions with our and other websites, applications, systems, and advertisements
NO
G. Geolocation data
Device location
NO
H. Audio, electronic, visual, thermal, olfactory, or similar information
Images and audio, video or call recordings created in connection with our business activities
NO
I. Professional or employment-related information
Business contact details in order to provide you our Services at a business level or job title, work history, and professional qualifications if you apply for a job with us
NO
J. Education Information
Student records and directory information
NO
K. Inferences drawn from other personal information
Inferences drawn from any of the collected personal information listed above to create a profile or summary about, for example, an individual’s preferences and characteristics
NO
We may also collect other personal information outside of these categories through instances where you interact with us in person, online, or by phone or mail in the context of:
  • Receiving help through our customer support channels;
  • Participation in customer surveys or contests; and
  • Facilitation in the delivery of our Services and to respond to your inquiries.
How do we use and share your personal information?
More information about our data collection and sharing practices can be found in this privacy notice.
You may contact us by email at hello@majorlabl.com, or by referring to the contact details at the bottom of this document.
If you are using an authorised agent to exercise your right to opt out we may deny a request if the authorised agent does not submit proof that they have been validly authorised to act on your behalf.
Will your information be shared with anyone else?
We may disclose your personal information with our service providers pursuant to a written contract between us and each service provider. Each service provider is a for-profit entity that processes the information on our behalf.
We may use your personal information for our own business purposes, such as for undertaking internal research for technological development and demonstration. This is not considered to be ‘selling’ of your personal information.
Major Labl Ltd has not disclosed or sold any personal information to third parties for a business or commercial purpose in the preceding twelve (12) months. Major Labl Ltd will not sell personal information in the future belonging to website visitors, users, and other consumers.
Your rights with respect to your personal data
Right to request deletion of the data — Request to delete
You can ask for the deletion of your personal information. If you ask us to delete your personal information, we will respect your request and delete your personal information, subject to certain exceptions provided by law, such as (but not limited to) the exercise by another consumer of his or her right to free speech, our compliance requirements resulting from a legal obligation, or any processing that may be required to protect against illegal activities.
Right to be informed — Request to know
Depending on the circumstances, you have a right to know:
  • whether we collect and use your personal information;
  • the categories of personal information that we collect;
  • the purposes for which the collected personal information is used;
  • whether we sell your personal information to third parties;
  • the categories of personal information that we sold or disclosed for a business purpose;
  • the categories of third parties to whom the personal information was sold or disclosed for a business purpose; and
  • the business or commercial purpose for collecting or selling personal information.
In accordance with applicable law, we are not obligated to provide or delete consumer information that is de-identified in response to a consumer request or to re-identify individual data to verify a consumer request.
Right to Non-Discrimination for the Exercise of a Consumer’s Privacy Rights
We will not discriminate against you if you exercise your privacy rights.
Verification process
Upon receiving your request, we will need to verify your identity to determine you are the same person about whom we have the information in our system. These verification efforts require us to ask you to provide information so that we can match it with information you have previously provided us. For instance, depending on the type of request you submit, we may ask you to provide certain information so that we can match the information you provide with the information we already have on file, or we may contact you through a communication method (e.g. phone or email) that you have previously provided to us. We may also use other verification methods as the circumstances dictate.
We will only use personal information provided in your request to verify your identity or authority to make the request. To the extent possible, we will avoid requesting additional information from you for the purposes of verification. However, if we cannot verify your identity from the information already maintained by us, we may request that you provide additional information for the purposes of verifying your identity and for security or fraud-prevention purposes. We will delete such additionally provided information as soon as we finish verifying you.
Other privacy rights
  • You may object to the processing of your personal information.
  • You may request correction of your personal data if it is incorrect or no longer relevant, or ask to restrict the processing of the information.
  • You can designate an authorised agent to make a request under the CCPA on your behalf. We may deny a request from an authorised agent that does not submit proof that they have been validly authorised to act on your behalf in accordance with the CCPA.
  • You may request to opt out from future selling of your personal information to third parties. Upon receiving an opt-out request, we will act upon the request as soon as feasibly possible, but no later than fifteen (15) days from the date of the request submission.
To exercise these rights, you can contact us by email at hello@majorlabl.com, or by referring to the contact details at the bottom of this document. If you have a complaint about how we handle your data, we would like to hear from you.
11. DO WE MAKE UPDATES TO THIS NOTICE?
In Short: Yes, we will update this notice as necessary to stay compliant with relevant laws.
We may update this privacy notice from time to time. The updated version will be indicated by an updated ‘Revised’ date and the updated version will be effective as soon as it is accessible. If we make material changes to this privacy notice, we may notify you either by prominently posting a notice of such changes or by directly sending you a notification. We encourage you to review this privacy notice frequently to be informed of how we are protecting your information.
12. HOW CAN YOU CONTACT US ABOUT THIS NOTICE?
If you have questions or comments about this notice, you may email us at hello@majorlabl.com or by post to:
Right Chord Music Ltd
154 Rowland Hill House
Nelson Square
London, London SE1 0LU
England
If you are a resident in the United Kingdom, the ‘data controller’ of your personal information is Right Chord Music Ltd. Right Chord Music Ltd has appointed Mark Knight to be its representative in the UK. You can contact them directly regarding the processing of your information by Right Chord Music Ltd, by email at mark@rightchordmusic.co.uk, by visiting HTTP://www.rightchordmusic.co.uk, by phone at 07795238011, or by post to:
2 Singleton Scarp, Woodside Park
Woodside Park
LondonLondon N12 7AR
England
13. HOW CAN YOU REVIEW, UPDATE, OR DELETE THE DATA WE COLLECT FROM YOU?
Based on the applicable laws of your country, you may have the right to request access to the personal information we collect from you, change that information, or delete it. To request to review, update, or delete your personal information, please submit a request form by clicking here.
This privacy policy was created using Termly’s Privacy Policy Generator.

The post Right Chord Music Privacy Policy appeared first on Right Chord Music Blog.

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10 Taylor Swift Alternatives For Your Next Playlist https://www.rightchordmusic.co.uk/10-taylor-swift-alternatives/ Mon, 04 Dec 2023 07:11:39 +0000 https://www.rightchordmusic.co.uk/?p=186127 Let’s talk about Taylor Swift for a moment. She’s the biggest artist on Spotify with 26.1bn streams in 2023 alone, the charts are full of her music and when her tour swings into town the local economy gets a seismic bump! Is it just us or does it increasingly feel like she is the only […]

The post 10 Taylor Swift Alternatives For Your Next Playlist appeared first on Right Chord Music Blog.

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Let’s talk about Taylor Swift for a moment. She’s the biggest artist on Spotify with 26.1bn streams in 2023 alone, the charts are full of her music and when her tour swings into town the local economy gets a seismic bump! Is it just us or does it increasingly feel like she is the only female musician in the world? This article highlights 10 alternative female artists who deserve your ears and a place on your next playlist.

Discover our 10 female alternatives to Taylor Swift

1. Clare Siobhan

Clare Siobhan is a genre-bending East Coast artist with a voice beyond her years. As an independent artist, she self-produces and releases her music. Her deeply personal and introspective lyrics cover love and loss, hope and fear.  Her debut EP Seek The Sun is a wonderful collective of folk-pop songs that enthrall from start to finish.

Follow on Instagram 

2. Izzy Potter

As a previous Right Chord Music ‘First Signs of Love Love‘ featured artist we had to include Izzy Potter on this list. This Nashville-based singer-songwriter writes Americana-infused folk about life, love and friendship. Have you heard juniper yet?!

Follow on Instagram 

3. Darcy Fox

We first featured Darcy Fox on the RCM Blog back in June for her single Stone In My Shoe. This Melbourne-based singer-songwriter has since released her debut album Cameron Street an ode to queer love, friendship and finding your place. Each of the nine songs was written in her immortalised inner suburbs share-house.

“In a society that makes us wish our skin could be thicker, Darcy Fox’s ‘Stone In My Shoe’ proves that there is strength in vulnerability.”

Follow on Instagram 

4. MÆHEM

MÆHEM is the project of London-based artist Miriam. Already involved in the fashion scene, she’s stepping into music, having released her debut single earlier this year. MEAN2U is a proper ear-worm.

Follow on Instagram 

5. Maïa Davies

Maïa Davies is a bilingual producer, songwriter and artist from Montreal, Canada. Having written for others she is now writing for herself. Check out her singles on Spotify including the powerful and poignant Stockholm which tackles the subject of abusive relationships, it flawed us!

Follow on Instagram 

6. Maia

Emerging UK artist Maia first came to our attention with her single ‘Do’ a poignant and emotionally charged track that showcased her immense talent as a songwriter and vocalist. She has since released three more singles and we expect to see her star continue to rise in 2024.

Follow on Instagram 

7. Wila Frank

Wila Frank, a 24-year-old Nashville-based songwriter, grew up in a bohemian rural community near the Oregon coast, surrounded by a passion for classical and folk music. At the young age of four, she began her musical journey by learning the violin and soon added piano, mandolin, cello, and guitar to her repertoire. Despite being deeply rooted in the world of folk music and the violin, Frank’s creative endeavours in songwriting led her to explore new emotions and musical styles. Her Ghosts & Guitars EP caught our attention and she has now released her debut full-length album Black Cloud. With 8 releases in 2023 alone, Wila Frank is a prolific producer of brilliant music.

Follow on Instagram 

8. Harri Pick

Born in Somerset and now based in London Harri Pick has built a loyal and dedicated fan base with her confessional, honest lyrics and DIY attitude typified by ‘Broke’ that talks about the realities of London life. We’ve featured Harri Pick on the RCM twice this year and we expect to be hearing more from her in 2024.

Follow on Instagram 

9. t.e.d

t.e.d is the moniker of South African-born Tanya Sholto-Douglas. She first wowed us with her single ‘Let Me Be’. t.e.d has been a singer her entire life but officially started her music career at eighteen. Now twenty-five, she is studying popular music at the University of Gloucestershire. She’s a skilled pianist, guitarist and vocalist.

Follow on Instagram 

 

10 Esme Bridie

Esme Bridie’s debut EP explores womanhood, detailing the highs and lows of the female experience. The Liverpool-based artist is all about speaking her mind. Esme’s vocals are entrancing and captivating. 

Follow on Instagram 

Discover more on Right Chord Music

Words Mark Knight

The post 10 Taylor Swift Alternatives For Your Next Playlist appeared first on Right Chord Music Blog.

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What Da Phonk! Introducing The Hot New Music Genre https://www.rightchordmusic.co.uk/phonk-introducing-the-new-genre/ Wed, 08 Nov 2023 10:57:47 +0000 https://www.rightchordmusic.co.uk/?p=185956 In the ever-evolving landscape of contemporary music, a dynamic and electrifying genre known as ‘Phonk’ has been gaining considerable traction. What the Phonk? Did you know Google searches for Phonk, this hybrid new genre have increased by +9600% in the last 12 months, and Phonk content has been viewed a staggering 11m times in the […]

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In the ever-evolving landscape of contemporary music, a dynamic and electrifying genre known as ‘Phonk’ has been gaining considerable traction.

What the Phonk?

Did you know Google searches for Phonk, this hybrid new genre have increased by +9600% in the last 12 months, and Phonk content has been viewed a staggering 11m times in the last 7 days on TikTok (31bn times overall).

Phonk is capturing the hearts of music enthusiasts worldwide. With its distinctive blend of hip-hop, electronic, and lo-fi elements, Phonk is redefining the boundaries of modern music production and resonating with a growing community of dedicated followers. Let’s delve into the origins, characteristics, and notable artists of this captivating musical phenomenon.

Origin story

Originating in the southern regions of the United States, particularly in Memphis, Tennessee, during the 1990s, Phonk emerged as a subgenre of hip-hop that incorporated chopped and screwed techniques, low-fidelity sampling, and haunting, atmospheric beats. Drawing inspiration from the sounds of the underground rap scene, DJ Screw, Three 6 Mafia, and Memphis rap culture, Phonk embodies a unique fusion of vintage nostalgia and contemporary urban energy.

Characterized by its raw, gritty aesthetic, Phonk often features slowed-down, chopped-up samples from classic R&B, soul, and funk tracks, layered over aggressive drum patterns and ominous synth melodies. The deliberate distortion and manipulation of these samples contribute to the genre’s signature dark and hypnotic vibe, immersing listeners in an immersive sonic experience that is both nostalgic and futuristic.

What sets Phonk apart is its ability to seamlessly blend the traditional sounds of hip-hop with elements of electronic music, creating a captivating sonic landscape that appeals to a diverse audience. This fusion of genres has paved the way for a new wave of experimental artists to push the boundaries of conventional music production, sparking a wave of creativity and innovation within the Phonk community.

Phonk artists

Several independent artists have made significant contributions to the evolution and popularization of Phonk, showcasing their unique approach to the genre and carving out their distinctive soundscapes. Among these trailblazers is DJ Smokey, whose influential work has been pivotal in shaping the core elements of Phonk, infusing it with his signature hazy and atmospheric style. Another noteworthy artist is Soudiere, renowned for his skillful manipulation of samples and intricate drum arrangements, which have garnered him a dedicated following within the Phonk scene.

Furthermore, the experimental compositions of artists like SpaceGhostPurrp and Bones have played a crucial role in bridging the gap between Phonk and the broader hip-hop and electronic music communities, fostering a cross-pollination of creative ideas and inspirations.

As Phonk continues to gain momentum and recognition within the music industry, it has solidified its position as a prominent and influential genre that is here to stay. Its ability to evoke a sense of nostalgia while simultaneously pushing the boundaries of contemporary music production has made it a favorite among both seasoned enthusiasts and newcomers alike. With its captivating blend of hypnotic rhythms, haunting melodies, and unapologetic energy, Phonk is undoubtedly a force to be reckoned with in the ever-expanding universe of modern music.

In conclusion, Phonk represents an exciting convergence of musical influences, fusing the timeless sounds of the past with the innovative techniques of the present. Its roots in the underground rap scene, combined with its experimental approach to production, have paved the way for a diverse range of artists to leave their mark on the genre.

Embrace the dark, atmospheric allure of Phonk, and allow yourself to be transported into a world where nostalgia meets innovation, and the possibilities are limitless.

Discover more on Right Chord Music

Words Mark Knight

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Musicians Win Cash & Keys With Casio Sessions https://www.rightchordmusic.co.uk/casio-sessions-loop-music/ Wed, 21 Jun 2023 14:23:47 +0000 https://www.rightchordmusic.co.uk/?p=185176 Casio launches ‘Casio Sessions’ – a singer-songwriter competition for aspiring piano-playing musicians. About Casio Sessions Casio Music UK, one of the world’s most renowned producers of electronic keyboards and digital pianos, has announced a brand new competition – in partnership with Loop Music – aimed at piano-playing artists called ‘Casio Sessions.’ Win Cash & Casio […]

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Casio launches ‘Casio Sessions’ – a singer-songwriter competition for aspiring piano-playing musicians.

About Casio Sessions

Casio Music UK, one of the world’s most renowned producers of electronic keyboards and digital pianos, has announced a brand new competition – in partnership with Loop Music – aimed at piano-playing artists called ‘Casio Sessions.’

Win Cash & Casio

The competition will take place on Thursday 21st September 2023 at Casio’s G-SHOCK store in Carnaby Street, London, with one lucky musician chosen to win one of Casio’s multiple award-winning PX-S7000 digital pianos worth £2,249 and £500 cash.

Singer-songwriters who play piano across the UK are invited by Casio and Loop Music to enter online by submitting a video audition of themselves playing an original composition – covers will not be considered.

Twelve musicians will be selected to take part in the live final of the competition that will take place in London. Finalists will perform on Casio’s flagship model from its Privia Series – the PX-S7000.

The Casio PX-S7000

The multiple award-winning PX-S7000 sets a new standard in digital pianos. It includes a newly developed hybrid wooden hammer keyboard and a contemporary look. The ability to directly plug in a microphone and make use of the onboard vocal effects makes this the ideal performance instrument for up-and-coming singer-songwriters.

Meet The Judges

The finalists will be judged by Neil Evans and Dan Henry of Casio Music UK and Mohamed A Sawyer and Emmanuel Tchombe of Loop Music. Musicians will be scored on various criteria including stage performance and presence. The lucky winner will take home a PX-S7000 as well as £500 cash. All twelve live finalists will receive content captured from the Casio Sessions event, including professional photography and videography of their performances.

Neil Evans, Head of Casio Music UK, said…

“We’re excited to kick off Casio Sessions – a competition dedicated to aspiring piano-playing songwriters across the country. Alongside Loop Music and its community of musicians and creatives, we hope to shine a spotlight on up-and-coming UK-based talent. Casio has always been proud to support music making and its benefits across all genres and ages. We can’t wait to discover new talent and see how the competition unfolds.”

Entries Open

Entries are open now until midnight 30th of August, with twelve finalists selected on 4th of September. To enter submit a video audition and complete a simple form via the Casio website. All ages and musical styles are welcome. The full terms and conditions, including full scoring criteria, can be found here.

Discover more on RCM

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‘Boys Get Sad Too’ Fashion Inspiring Conversation https://www.rightchordmusic.co.uk/boys-get-sad-too-introduction-rcm-blog/ Tue, 02 May 2023 06:28:55 +0000 https://www.rightchordmusic.co.uk/?p=183303 Boys Get Sad Too is a streetwear fashion label that is on a mission to get people talking by wearing its heart on its sleeve. Boys Get Sad Too Boys Get Sad Too‘ was founded in 2018 by Kyle Stranger and was inspired by a four-word doodle on his therapy notepad. This simple, yet emotive […]

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Boys Get Sad Too is a streetwear fashion label that is on a mission to get people talking by wearing its heart on its sleeve.

Boys Get Sad Too

Boys Get Sad Too‘ was founded in 2018 by Kyle Stranger and was inspired by a four-word doodle on his therapy notepad. This simple, yet emotive phase takes on hugely powerful significance when you realise the disturbing reality that 84 men take their lives every week in the UK. Sadly the subject of male mental health is still overlooked or swept under the carpet.

Mental Health & Music

As a blog that champions incredible new music, we immediately felt a kinship with Boys Get Sad Too. Here at Right Chord Music, we get sent so many submissions from artists who write songs about mental health not only to raise awareness of the problem for others but also as a way of making sense of their own struggles. It feels like there is a huge opportunity for music and fashion to come together here to get more people talking. Here is a playlist featuring a selection of music from the Right Chord Music archives that is written about the subject of mental health.

How It All Started

From humble beginnings Boys Get Sad Too started with no funding, just a desire to make a difference by highlighting the issue through conversation-provoking designs. They soon caught the attention with features in the Metro, MyLondon, Evening Standard, and even a  mention from London Mayor Sadiq Khan.

“Sometimes it feels like you’re alone. Boys Get Sad Too is here to show you that you’re not.”
Last November this direct-to-consumer online label became a physical business with a pop-up shop in Soho in partnership with Maxwell Fine Studio.  The shop attracted visitors from all over the country and it was then, that they understood just how many people had connected with the Boys Get Sad Too brand and message.
Boys Get Sad Too Right Chord Music Feature
While the label continues to grow, the core values have remained the same. When you wear Boys Get Sad too, you are choosing to open up the conversation around male mental health by acknowledging that mental illness can affect anyone and everyone. It’s a reminder that no one is alone in this.
Boys Get Sad Too is more than a clothing brand, it’s rapidly becoming a community of like-minded people who want to see a positive change in the World. As an official supporter of CALM (The Campaign Against Living Miserably) they donate 10% of their profits and actively work to raise awareness of the struggle men face.

Discover more from Boys Get Sad Too

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Words Mark Knight

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