Mark Knight, Founder Right Chord Music Blog

ALICE. Stop Liking My Instagram

rightchord — Wed, 05 Nov 2025 13:35:16 +0000

ALICE. released their debut track on Halloween, calling out the social media ghosters.

There are always strange happenings at Halloween. Reports of manifestations and apparitions, spooks and ghouls and freaks and fools, but unfortunately, in the world of singer, bassist and general purveyor of good times, Alice Offley, no convivial jesters, or McWitches.

For her latest single, “Stop Liking My Instagram”, the singer takes aim at the jokers that haunt her socials. These are the strange breed that display all the traits of true fandom: liking, following, messaging, engaging, only to suddenly ‘pop off’ to lurk on the peripheries, keeping tabs and cyber-stalking. “DOA just disappeared, from every day to never here, but you still watch my stories!” But she is not alone….

The track, originally written and produced in the summer and featuring on her debut album “Are You Dealing With A Snake?” due for a digital release next year, has been remixed and released by Alice, guitarist Marc Sephton and drummer John Mitson, who together form the rock and roll trio Alice. The newly formed band stand for “self-worth, defiance, and unfiltered truth – the voice for anyone who refuses to be crushed”. So no messing around then!

“This single is for all of the internet ghosters and ghouls who like to play disappearing acts after messaging for weeks, but then still stalk yer socials. Boooooo!”

Offley’s musical style has always consisted of catchy pop funk-driven tunes and Alice. continues in this vein with an added edginess. The George Michael influence on her previous release ‘Don’t You Mess With Me’, which also called out other types of blood sucker, is maintained on “SLMI”.

Think 90’s era ‘Too Funky’ with a rock element that Sephton brings with his wiry guitar, complementing Offley’s liquid bass and alluring vocals. “Now I know you might be shy, but don’t mean you have to be in-genuine”. With a playful video featuring the singer as a bespectacled school mistress teaching the “ghosters” how to behave and a cuddly toy snake for company, the familiar Alice Offley fun filter has been readily applied, but Alice. still deliver a silver bullet.

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Words Andrew Gutteridge

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Fools & Sages Skyrocket On ‘Ascend With Me’

rightchord — Mon, 03 Nov 2025 09:58:54 +0000

‘Ascend With Me’ by Fools & Sages is an intense, moving ballad that traverses multiple shades of rock.

Fools & Sages – Ascend With Me

Coming out of Derbyshire, Fools & Sages share ‘Ascend With Me’. Released in waterfall style, this, their fourth single, now provides the duo with a debut EP of the same name. This is a call to action and an ascent into the world above through the healing power of rock.

It takes absolutely no time for the power of Fools & Sages to take hold on ‘Ascend With Me’. Ethereal vocals transcend into a cloud of rock. The instrumental twists through a corkscrew throughout the track and lays the backdrop for a rollercoaster rock ballad.

Goosebump-inducing riffs and vocal runs of varying intentions but consistent magnitude mesh into a masterclass of sound production. The audio journey created is a great ode to the music of the past, whilst owning its own sound and modernising its feel.

Fools & Sages present themselves and their art holistically, being very image savvy and encapsulating meaningful physical art alongside their majestic sound.

Catch them live, for an unforgettable show, on the following dates:

Tuesday 4th November – Billy Bootleggers in Nottingham
Friday 14th November – The Vic Inn in Derby
Saturday 20th December- The Tap n Tumblr Nottingham

‘Fools and Sages ascend as artists and musicians on their new, spellbinding track’

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Words by Thomas Pressley Hitchcock

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Ken Holt Reflects On Relationships On ‘You Don’t Have To Stand’

rightchord — Mon, 03 Nov 2025 09:57:42 +0000

Ken Holt is a country artist from Satellite Beach, Florida. Following the success of his chart hit “I Did Not Know,” Holt is back with his latest single, “You Don’t Have To Stand,” from his album Shades of Light.

Ken Holt – ‘You Don’t Have To Stand’

The song blends soft, emotive instrumentals with heartfelt lyrics, exploring the emotional side of reconciliation. Joining him on the track are classically trained violinist Kricket Moror, whose playing adds a layer of warmth and depth, and Mike Greier on drums and bass, who provides a steady rhythmic foundation that keeps everything beautifully grounded.

The song opens with a gentle combination of violin and acoustic guitar, instantly setting a heartfelt, country-rooted mood. Holt’s smooth, effortless vocals come in over the instrumentation as the steel guitar joins, adding that unmistakable traditional country flavour. From the very first notes, you can tell this is a track made with honesty and intention.

The opening lyric, “You don’t have to stand, this place is your place,” sets the emotional tone for the song. It feels comforting and inclusive, like an invitation to let your guard down and simply be. This is followed by, “I know it’s been a very long time since we shared this common space,” a line that highlights themes of connection, togetherness, and returning to something deeply meaningful. These lyrics are tender and genuine, making them a perfect fit for a country ballad that celebrates healing and belonging.

“This soft country tune captures the emotional journey of mending relationships, carried by soothing melodies and heartfelt storytelling.”

All in all, “You Don’t Have To Stand” is a foot-tapping, sing-along song that’s bound to lift your spirits. Its infectious groove comes from the perfect blend of toe-tapping percussion, smooth guitar work, and a melody that sticks with you long after the song ends. The production is crisp and polished, yet it still holds onto that down-to-earth charm that makes Ken Holt’s music so relatable and easy to love.

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Words by Sian Evans.

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Richard Lynch Aims To Inspire On ‘The Phone Call’

rightchord — Mon, 03 Nov 2025 09:39:36 +0000

Richard Lynch is a country artist based in Waynesville, Ohio. His deeply emotive songs and genuine storytelling have garnered him international recognition and a devoted following both in the U.S. and overseas.

His latest single, “The Phone Call,” is from his album Pray on the Radio: Songs of Inspiration. The song reflects on a moving encounter between old friends, brought together by the power of music and a return to faith.

The song opens with a gentle, comforting melody that wraps the listener in a sense of calm and familiarity. Richard’s rich baritone carries the weight of every lyric, grounding the song in authenticity, warmth, and unmistakable country soul. The track begins with a heartfelt conversation between old friends, instantly drawing listeners into a story of reconnection and reflection.

When we reach the chorus, it’s clear that the song tells the story of a man turning his life around after finding his faith. He admits, “I’ve done some things in my life that I’m not proud of,” followed by a confession of “drinking, drugging, and fighting.” He closes the refrain with a powerful declaration: “That’s what my life was, but I’m giving my troubles to Jesus, starting now.”

There’s a raw, humble, and redemptive feel to those lyrics. Everyone has regrets, but not everyone is willing to face them out loud. It gives a real, honest feeling to the song. It’s the kind of chorus that makes you believe in second chances, no matter how far you fall, faith can pull you back again. Following the chorus, the guitar steps forward, adding texture and depth before easing back into the second verse.

“It’s a track about finding hope where there once was doubt, and realising it’s never too late to start over.”

When we get to the second verse, we hear more of the conversation introduced in verse one. The lyrics, “I thanked my old friend for calling, said hope I get to see you soon,” reflect the song’s emotional core of gratitude and reconciliation.

The chorus flows seamlessly into the outro, where the lyrics are carried by a beautiful, melodic country guitar riff.

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Words by Sian Evans.

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The New Weavers Rejoice In The Familiar ‘Live at Black Tornado’

rightchord — Fri, 31 Oct 2025 11:20:06 +0000

Fans of Bolan, Bowie, Jagger and Page will feel at home listening to the new mini album ‘Live at Black Tornado’ by Danish retro rockers The New Weavers.

The New Weavers – Live at Black Tornado

Let’s be clear, there is nothing especially ‘New’ about the New Weavers, but frankly, who cares! This mini-album is a lot of fun. If, like me, you are somewhat sick of polished pop and the endless stream of solo artists clogging up your social feeds, you might find solace in The New Weavers.

The band has already received strong media support, with GAFFA, Denmark’s leading music publication, quick to heap praise on them, while UK radio station Planet Rock added their debut single ‘Don’t Make a Scene’ to their playlist rotation.

The Danish retro rockers have a sound that rejoices in the familiar; listening to this EP is like listening to the history of rock ‘n roll. Listen long enough and you’ll find nods to all your favourites of yesterday. You’ll hear The Rolling Stones, The Faces, T-Rex and Led Zeppelin, and it’s wonderful.

“The biggest compliment I can pay to The New Weavers is simply that this is a band I would absolutely love to join.”

Live at Black Tornado is a joyous cacophony, with six songs recorded live in Copenhagen by nine immensely talented musicians. Live albums can polarise; they either elevate a band to a new level or flatten the sound. In this case, you are left with the feeling that this is a live show you would love to see for yourself.

The New Weavers are at their best when energy levels are high, and I found myself gravitating to tracks 3 (Main Music Movers), 4 (Mexico), and EP closer Susie; all three are guaranteed foot-stompers.

Five of the six tracks on this EP are brand new, while track two, ‘Wait up, Sir’, was previously shared as a single release last year and definitely deserves a second push.

Make some time in your day for this joyous celebration of rock ‘n roll.

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Words Mark Knight

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Midnight Sky Share ‘Hearts Are Wild’ From New Album

rightchord — Fri, 31 Oct 2025 11:19:49 +0000

Midnight Sky, led by frontman Tim Tye, are an American band from Dayton, Ohio. They’re known for their genre-blending sound, combining elements of country, folk, and rock with rich, storytelling lyrics. Hearts Are Wild is track one on their new album, Just Before Dawn.

Midnight Sky – Hearts are Wild

Hearts Are Wild is a raw, authentic song filled with vulnerability. It begins with an infectious guitar riff, which is backed by percussion and a fiddle, which instantly gives the song a country feel.

The opening lines immediately set the scene with vivid, cinematic imagery. “Ribbons of pavement and interstate signs, big semi-trucks and little white lines.”

It’s the language of the open road, where distance and longing intertwine. The contrast between “You’re in the east, I’m in the west” captures that ache of separation, while “The highway puts our love to the test” turns the road itself into a symbol of both connection and challenge. It’s a simple, but powerful metaphor for love stretched across miles, heartfelt, honest, and rooted in the kind of storytelling that defines great country songwriting.

“Hearts Are Wild is a song you’d blast with the windows down on a long drive! Catchy, upbeat, and full of energy, with just enough heart to make you feel it too.”

This country-rock gem strikes the perfect balance between energy and emotion. With driving guitars, a steady beat, and a melody that hooks you from the start, it’s an upbeat song that still carries a touch of heartache. The lyrics tell the story of longing for someone who’s far away, but instead of sinking into sadness, the music lifts the mood, turning that yearning into something hopeful and alive. The mix of twangy country warmth and rock-and-roll edge gives it a sound that feels both timeless and fresh. It’s the kind of track you can dance to with a smile, even while it tugs gently at your heartstrings.

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Words by Sian Evans.

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Alex Krawczky Shares ‘Love Through Sound’

rightchord — Fri, 31 Oct 2025 10:54:38 +0000

Alex Krawczky pays homage to Grateful Dead lore with new track Love Through Sound.

Alex Krawcky – Love Through Sound

Alex Krawczky, Canadian Folk Music Award nominee, is a folk pop singer-songwriter based in Toronto, Canada. Her latest release, ‘Love Through Sound’ is a touching tribute to peace, togetherness and the uplifting power of music. The track was co-written with long-time collaborator Robbie Roth and produced at Toronto’s Union Sound.

On a count of four, the song opens with a warm acoustic guitar melody, underpinned by steady, driving percussion that immediately sets a heartfelt and inviting tone. The arrangement feels both intimate and expansive.

Alex’s vocals float delicately over the instrumentation. Her voice is warm and expressive, carrying each lyric with gentle sincerity and emotional depth. There’s a sense of effortless control in her delivery, every note feels intentional, allowing the story of the song to unfold naturally.

The track pays homage to the classic Grateful Dead songs “Casey Jones,” “Cumberland Mine,” and “Uncle Sam’s Blues.” This influence is clear right from the opening lines: “Casey Jones, you’ve got me riding high,” followed by “Take me down to the Cumberland mine,” and “Uncle Sam’s blues were playing.” These lyrical nods create a bridge between eras, blending nostalgic references with a modern, heartfelt interpretation. Alex manages to honour the roots of these iconic tracks while maintaining her own distinct artistic identity.

Midway through the song, a short instrumental section emerges where a WAH pedal guitar takes centre stage. The tone is rich and expressive, lending the piece a touch of 1970s psychedelia. Behind it, haunting vocal harmonies drift gently, wrapping the soundscape in a subtle, otherworldly atmosphere. The interplay between the guitar and the harmonies builds tension and texture, making the listener feel suspended in a dreamlike moment before the rhythm gently pulls them back.

‘This is a folk song that feels almost dreamlike and ethereal in every note’

As the track moves toward its conclusion, the wah-laden guitar returns with renewed intensity. Alex joins in, harmonising with the guitar through soft “la la la’s,” creating a unique and dynamic closing section. It feels spontaneous yet intentional, a final expression of freedom and release. The ending leaves a lingering impression, as if the song continues to echo long after the final note fades.

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Words by Sian Evans.

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Vogues Challenges Expectations ‘And Then Nothing’

rightchord — Fri, 31 Oct 2025 10:01:09 +0000

Through its blend of camp pop maximalism and lo-fi intimacy, Vogues unveils And Then Nothing, an intriguing new release that challenges expectations with its unconventional yet deeply satisfying composition.

Vogues – ‘And Then Nothing’

Vogues is the solo project of Cornish-born, London-based musician and producer Davy Roderick. Through this project, Davy delves into themes of identity, memory, and emotional intensity, shaped by a blend of camp pop maximalism and lo-fi intimacy. The sound of Vogues carries home-spun textures and lush arrangements, often compared to queer icons like Arthur Russell and Anohni, while exploring a deeply personal landscape of desire, transformation, and self-reinvention.

Continuing to embrace eccentricity and channel unpredictability through art, Vogues unveils And Then Nothing. This striking composition explores the tension between longing and restraint, moving gracefully through the blurred emotional space where intimacy and confusion intertwine.

Driven by hypnotic guitar work and dreamy production, And Then Nothing unfolds like the soundscape of a fever dream. Davy’s vocals stand out, elevated by ethereal backing harmonies that add a haunting edge. Yet, just as the song settles into its rhythm, Vogues shifts direction, lifting the tempo and transforming it into an unexpectedly infectious piece.

“And Then Nothing stands as a prime example of eclectic indie artistry, intriguing, meticulously crafted, and effortlessly addictive. With this track, Vogues delivers a striking piece that invites repeated listens and continued admiration.”

Created over several years in bedrooms, backseats, and borrowed studios across Cornwall, London, and France, Vogues’ music emerges from a tapestry of past selves, layered textures, and evolving perspectives. Reflecting Davy Roderick’s journey through gender, grief, and artistic transformation, the project offers more than captivating sound; it presents ideas and emotions that linger long after the music ends, making Vogues an endlessly compelling and thought-provoking endeavour.

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Words Javier Rodriguez

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In Athens Unveil Their Debut EP ‘Mirrorism’

rightchord — Wed, 29 Oct 2025 08:01:30 +0000

Known for their intricate blend of shoegaze textures and post-punk energy, In Athens take their artistry to the next level in their debut EP, Mirrorism.

In Athens – Mirrorism

Following the strong reception of their first two singles, In Athens take a significant leap forward with their debut EP Mirrorism, a four-track release that refines their signature sound and production with striking precision. So what makes it stand out? Let’s take a closer look.

Opening with Or Anything, the band’s debut single, the EP immediately draws you in with cascading shoegaze riffs and reflective, existential lyricism. It sets the tone perfectly, building anticipation for the journey that follows.

Days Into Days continues that momentum, driven by assertive drums and strident guitar layers that contrast beautifully with soft, melodic female vocals. The result is a compelling piece where energy and emotion coexist seamlessly.

Exploring more relatable territory, Tides stands out with its metaphorical look at the ebb and flow of relationships. The interplay between male and female vocals adds an engaging duality, while the immersive instrumentation strengthens its emotional pull.

Closing the record with heartfelt intensity, Expiration Marks serves as the emotional core of the EP. Acting as the ballad of this collection, it unfolds through haunting vocals and a sorrowful chord progression, leaving a deep impact and standing out as the highlight of what is already a memorable debut from In Athens.

“Mirrorism is a concise yet deeply evocative EP. Through heartfelt lyricism and powerful instrumentation, it draws you into a space where the ethereal and the dreamlike intertwine, showcasing In Athens at their most expressive.”

Creating a debut record that truly stands out in today’s crowded shoegaze landscape is no small task, yet In Athens rise to the challenge with Mirrorism. Their distinctive style and evident dedication have resulted in a thoroughly engaging EP, one that feels like the promising first chapter of a much larger artistic venture.

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Words by Javier Rodriguez

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Alina Tells It Like It Is On ‘Loverboy Leave’

rightchord — Wed, 22 Oct 2025 09:46:15 +0000

Singer-songwriter Alina is back with another heartfelt pop anthem, Loverboy Leave, proving once again her ability to turn real-life moments into songs that connect instantly.

Alina – Loverboy Leave

Based in Brighton, Alina is carving out a name for herself in the indie pop space, supported by her strong background in music college and a growing catalogue of ear-catching releases. Tracks like “Oxford Boy,” “Silk or Corduroy,” “Ultimate Cheerleader,” and “Millennial Cliché” showcase her consistent creative output.

Alina’s music has always drawn inspiration from life’s everyday moments, transforming personal experiences into sharp storytelling. ‘Loverboy Leave’ continues that tradition with a witty and relatable concept inspired by her time with European friends who refused to admit they were dating.

As Alina explains:

“As I pulled up to my Swedish friend’s apartment in Amsterdam, I saw a guy leaving, the guy she had been ‘not dating’ for about three months. We caught each other’s eyes familiarly, and I texted her the phrase, ‘I just saw your loverboy leave.’ Then I went home and wrote this song.”

Loverboy Leave stands out for its irresistible production, dreamy beats, and her confident vocal delivery, especially during the electrifying chorus. A fun detail comes during the bridge, where Alina sings “what are you waiting for?” in both Spanish and Swedish, a nod to the nationalities that inspired the story behind the track.

To celebrate the release of Loverboy Leave, Alina will be headlining at The Folklore Rooms in Brighton on October 28th. Make sure to save the date for a night that promises to be unforgettable!

“Loverboy Leave stands out as another shining highlight in Alina’s growing catalogue, lyrically sharp and irresistibly catchy; it’s the kind of track that keeps echoing in your head well after it ends.”

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Words Javier Rodriguez

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